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The photo here shows the loaded and lubed chambers on the front of the harmonica bar. Just a reminder that clicking on any of the photos will enlarge them for viewing the details of the design. Clicking the Back arrow on your webpage will take you back to the text.
The harmonica slides through a steel frame into which the barrel is fitted. So arranged, the harmonica is advanced for each shot by cocking the hammer, releasing the locking mechanism, then simply pushing the slide to the next chamber. By releasing the locking plunger it will snap back into the appropriate hole thereby locking the harmonica in position.
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Ironically, as advanced as the concept was for the day, it never really caught on in its own time and very few rifles have actually survived for us to study. Those few that have survived command such high prices that few of us will ever enjoy the privilege of handling and studying one up close.
Another interesting fact about harmonicas that is unknown but to a few moderns is that Jonathan Browning's earliest commercial products were underhammer harmonica rifles which he built in Quincy, Illinois in the 1830s before later moving on to Ogden, Utah.
Now, about 175 years later, the underhammer harmonica is being revived by our friend, Wade Ingrham. You may recall an earlier post on this blog regarding his underhammer rifles and his underhammer flintlock pistol. To say he’s mechanically adventurous is an understatement. And while he may technically be retired at 87 years young, you just can’t keep a mechanical kind of guy sitting idle very long before his mind runs wild with new ideas that seek expression in the tangible world.
So, check this out cause it is waaaaay cool!
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Wade’s takedown design allows him to switch from the singleshot mode to the repeater mode with just a few turns of the take down screw which is positioned just forward of the hammer. You can take a look at our previous post about Wade to view that take-down process.
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A crossfire is more known to occur in percussion revolvers and is the result of the flame from the combustion blowing through the cylinder gap and igniting the powder in the adjoining chamber. As you can imagine, that makes for an exciting, albeit a dangerous day at the range.
Although a crossfire is definitely a very real possibility in a percussion revolver where each chamber is extremely close to the next, in Wade’s harmonica the distance between chambers is so great that the chance of a crossfire is very remote. When the chamber is then topped with grease the chance of a crossfire is virtually nil.
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It should be noted that the harmonica can be started from either side of the receiver making the whole arrangement ambidextrous. And, of course, there is no ramrod needed for loading.
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I’m sure that Wade’s rifle will probably inspire some of you other underhammer makers to venture out and try something new and for that I believe he deserves a round of applause and our appreciation for his efforts and inspiration to the rest of us.
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Just in from Wade is the video below of him demonstrating the rapid fire capability of his Underhammer Harmonica Rifle. This is really a rare opportunity as there are probably only a handful of people in the whole world who have ever seen a harmonica rifle being fired.
Turn up the sound, click the arrow on the bottom of the video frame below, and Wade will show you how it's done!
You're going to love this!
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Click the pic for a closer look at the target.
To really appreciate the underhammer harmonica one must consider that at the time of its introduction at the very outset of the percussion age, the harmonica rifle was the technological equivalent of today's Vulcan gun. It was futuristicly cutting edge!
Imagine that its the late '20s or early '30s - that's the 1820s or 30s - and you are armed with a flint rifle, or perhaps you're a man of means and had one of those really modern wizbang percussion guns, or maybe you had a conversion of a flinter to a cap buster. And let's imagine that you came upon an opponent with the capability of firing five aimed shots in about 10 seconds. But, who could also swap his empty harmonica for a loaded spare and deliver another five shots before having to reload. I don't know about you, but that would be fairly intimidating to me.
Truly, the harmonica rifle really was a wonder in its day and did inspire the development of several later repeating designs.
So there you have it boys and girls - Wade's Underhammer Harmonica Rifle.
I don't know about you, but I'm sure impressed!
Thanks Wade, for sharing your achievements and inspiring the rest of us.
Remember, kids, you saw it here first!
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4 comments:
Dear RJ,
Wow, I can't believe this! I was just looking for information about harmonica rifles and then I found your story. What a great idea Mr. Ingram has. I just wish I knew how to make guns so I could make one for myself.
This is really a great website and I like the variety of topics that you write about too. Please keep up the good work.
Thanks,
Randy
I have started a harmonica rifle but have not finished to a point I can show pictures. The frame and slide are made from 4140. Caliber will be 45 just because I had a barrel in that caliber sitting around that was not being used. I was thinking of putting a flash shield on the right side just in case of a chain fire.
Didn't the character played by Yul Brynner in the spaghetti western, "Indio Black" carry some sort of rifle like this? I recall it was short barreled and carried in a holster, but it had the harmonica block, but the last chamber always had a cigar...
That movie with Yul Brenner was called "Adios Sabata". The gun was a modified Winchester and it was a movie prop. Never a real production gun in real life. If you look closely in the movie, you will see that he has to manually push on the block to advance it. Operating the lever only cocked the hammer but didn't advance the harmonica block. Still an interesting concept though.
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